OUR GEAR
We have the gear to bring visions to life. A lot of it is imported from Hollywood, the Mecca of movies. Whether you’re looking for a solid piece of content for your socials or advertising that fits on the big screen, we’ve got you covered.
In our arsenal you’ll find vintage lenses, the latest and greatest in cinema cameras and heavy-lift drones, we’ve got everything needed to produce the content you’re after. Take a look at our stories.
CAMERAS
RED V-RAPTOR 8K VV
The RED V-RAPTOR 8K VV is a camera that delivers stunning cinematic images with incredible speed and versatility. It’s built on the DSMC3 platform, a lightweight and compact design that supports Canon RF lenses and CFexpress Type-B cards.
The V-RAPTOR 8K VV can capture up to 120 fps at 8K resolution, or up to 600 fps at 2K resolution. It also has an industry leading dynamic range of over 17 stops, a scan time 2x faster than any previous RED camera, and dual 12G-SDI outputs for live streaming or monitoring.
RED KOMODO 6K SUPER 35
The RED KOMODO 6K Super 35 is the perfect camera when the project does not require framerates above 50fps, or when the camera needs to go into tight places. It features a 19.9MP Super35 global shutter sensor that can capture up to 6K at 50 fps, 4K at 60 fps in REDCODE RAW.
It has a high dynamic range of over 16 stops and most importantly, a global shutter, eliminating rolling shutter artifacts such as flashing lights or fast moving objects.
Canon R series cameras
With up to 45Mp images, these cameras will make sure the resolution is big enough even if you need to print it on a 10 meter wall. There’s a reason why Canon has been industry standard for so long, the color science and autofocus is next to none and these pair perfectly with the RED cameras when you require both stills and video.
360 cameras, dadcams etc.
Need GoPro footage? How about 360 footage to capture action from every angle at once? Maybe you’re looking for something fresh, not crisp 8k? Maybe a dadcam would suit your needs. No matter what, we’ve got you covered.
DRONES
In-house we have an arsenal of drones, ranging from two heavylift Alta 6 drones to the tiny workhorse DJI Air2s. The Altas are perfect for big budget commercials that demand the RED look, even from the air. The DJI Air2s captures video at up to 5,4k resolution, which is enough for any standard project.
ANAMORPHIC LENSES
LOMO SQUAREFRONT ANAMORPHIC 35MM
Built in 1969 and rehoused in 2020 by Optitek in California, this is a unique piece of glass that achieves both a unique and cinematic look, making it perfect for high budget commercial with the highest standards.
LOMO SQUAREFRONT ANAMORPHIC 75MM
This lens is 10 years older than the 35mm, it’s built in 1959 and rehoused again by Optitek in California in 2022. A perfect complement for the tighter shots that high budget commercials demand.
ZOOM LENSES
SIGMA 18-35MM F1.8
The workhorse Sigma 18-35mm F1.8 Art is a lens that combines high performance and versatility for the RED V-RAPTOR or KOMODO at 6k resolution. It’s a great zoom lens that offers a constant aperture of F1.8 throughout the zoom range, allowing us to achieve stunning bokeh and great low-light performance.
SIGMA 24-70MM F2.8
A full-frame zoom allows us to capture up to 8k with the RED V-RAPTOR and never change lenses on set, perfect for run and gun shoots where the schedule is tight. At F2.8, it is a bit less sensitive than the 18-35, but the low light sensitivity of the V-RAPTOR breezes through 99% of scenarios we put it through.
SIGMA 50-100
Our bokeh monster, the Sigma 50-100 F.18 is a crazy sensitive zoom for the RED V-RAPTOR or KOMODO at 6k resolution. This zoom is also a constant F1.8 throughout the zoom range, creating amazing bokeh and versatility thanks to the 50-100 range.
VINTAGE LENSES
Minolta MD/MC-X series
Not too sharp, not too soft. Just right. These lenses offer some really nice characteristics in a compact footprint. Perfect for events where we’re running around all day and the weight of the camera makes a difference.